At 4 p.m. on Friday, 29 November, the Rothko Museum will launch its winter season, closing the year with six profoundly moving exhibitions. The season’s international dimension comes from “The Beginning and the Light”, a metaphysically oriented solo exhibition by the Italian-Argentine artist Ernesto Morales. Also on show are five domestic projects – the sombre and expressive “Wind Breaker” by Gustavs Filipsons, the enigmatic “Islands” by Mārtiņš Zitmanis, the spiritual and luminous “Eternal Child” by Ruta Štelmahere, the tenderly reminiscent “I’m in the House” by Jekaterina Griškjāne, and the gently comforting “Warm Light” by Inese Margēviča.
“The Beginning and the Light” by Ernesto Morales
The winter season introduces to the local public Ernesto Morales, an Argentinian whose creativity unfolds in Italy since 2006. More recently, Morales has anchored his creative practice in the themes of origin and light. The artist’s interest transcends the purely metaphysical realm. His radiant yet clouded compositions help him trace how space, in dialogue with the viewer’s movement, can alter how the painting is perceived depending on its interaction with the ambient light.
“The exhibition title is about awakening and triumph, a source of strength that fuels growth, renewal, betterment, and new creation. A thinking and perceptive viewer will notice how Morales paints the essence of the universe’s origins, his clouds absorbing and reflecting light in an eternal cycle: spilling into lakes, rivers, and seas before returning, rising up again, reflected in the oceanic mirror, to form new clouds and thereby signal a perpetual rebirth and an interminable new beginning,” comments Māris Čačka, Morales’s curator for the current show.
“Wind Breaker” by Gustavs Filipsons
The latest solo exhibition by Gustavs Filipsons outlines his personal progression through almost fully black and monochrome abstraction. The artist’s famously expressive style draws its dynamic energy from the robust, wind-beaten shores of Kurzeme, the western coastal region of his native Latvia. The vastness that unfolds within the black in Filipsons’s paintings defies all spatial boundaries and dimensions. What happens in the dark is both irrational and mesmerising, and the layered textures seem to be suggesting an experience, a dream, a vision.
“The images appearing in my work are beacons that guide my soul on its unfolding journey through the dark – a voyage that will ultimately bring me home. We all seek inner peace and balance, but without us diving deep into our souls, without profound purification that will cleanse us from our fears, malevolence, and selfish greed, we’ll never find true happiness or freedom. All our experiences are active forces that move us towards freedom and help us to keep changing for the better. But it will only happen if we truly want it,” the artist opens up about what underpins his work.
“Islands” by Mārtiņš Zitmanis
The “islands” that the artist Mārtiņš Zitmanis refers to in his exhibition title are painted objects that appear in almost everything he paints. The exhibition leans towards abstraction, but the “island objects” invariably take centre stage. From realism to abstraction, the viewer is continuously invited to reflect on the specific lens and properties of Zitmanis’s mental archipelago and to consider where we all are drifting in humanity’s vast ocean of ideas.
“For me, an observation sparks association, which, in turn, suggests an image. The latter I develop, discarding anything that feels excessive, into a geometrically structured graphic composition, with its distinctive lines and planes, metallic surface properties, and rhythmic textures. I’m drawn to mediaeval iconography and modern sculpture – their way of representing things that isn’t literal or strictly realistic but can be likened in its impact to an ornamental sign,” the artist says.
For Zitmanis, who spent the first thirteen years of his long, itinerant career in Daugavpils, the exhibition is a homecoming – a return to the earliest in a line of memorable “islands” that have anchored him in his creative voyage.
“Eternal Child” by Ruta Štelmahere
Ruta Štelmahere, Latvian artist, poet and art educator, draws from defining moments of her life – embracing faith in God, the birth of her two children and the passing of her parents. These moments have been her sacred, enigmatic glimpses of eternity when she has brushed the curtain that separates us from the great beyond. This final frontier is where we all come face to face with our eternal child, so vulnerable and genuine.
“A shining image flashes in the cloud of light that is my childhood – my first awareness of eternity and time, infinity and space. Immediately, ageless archetypal questions are storming through my fledgling mind. I’m wondering what existed before I came to be and what will happen once I am gone. What does it mean to be and never end? And how can something have no end? Our inner child is growing and maturing as we live, yet it remains a child, holding the hand of God the Father, our eternal origin and destination,” Štelmahere says.
The artist navigates these timeless questions in her painting with depth and reverence for the sacred, endlessly reaching for the edge of light and bearing faithful witness to its revelations.
“I’m in the House” by Jekaterina Griškjāne
Jekaterina Griškjāne, artist and children’s book illustrator, adds to the winter season with her moving solo exhibition, deeply rooted in a painful loss and journey of acceptance – a young mind trying to make sense of the departure of someone dear. The artist was only nine years old when her secure and happy world was shaken by the passing of her grandfather, who’d been her closest friend. Not fully understanding what exactly death entailed, she felt it had to be a kind of final passage. The exhibition traces such a journey between two worlds and draws from a first-hand experience of facing death and navigating the rugged path towards acceptance.
“My message is that death need not be feared because our loved ones remain within us, living forever in our hearts, their final home,” sums up the artist.
“Warm Light” by Inese Margēviča
On view in the Rothko Museum’s Martinsons House, the latest solo show by Inese Margēviča, a noted Latvian ceramicist, explores the two-way interaction between humans and plants by diving into our reciprocity and energy exchange, which gives us inspiration, solace and support. The exhibits all feature a recurring image – wild cyclamen, seen by the artist in the wild in an abandoned garden in off-season France.
“I wonder what wild cyclamen is doing, cocooned in velvety, protective dark, and if it feels the gardener’s caring hands when gently nestled in a bank of soil. Or maybe it is sound asleep, and the unsightly wood-like bulb is destined to remain forever dormant in its unappealing form? What is this force that changes everything and coaxes from the humble root a tender shoot that starts unfurling, reaching up towards the sun, then grows into a delicate rosette, develops leaves, and ultimately blossoms into soft pink blooms? Slowly, the plant transforms and starts to breathe anew….” the artist opens up about her inspiration.
The Rothko Museum’s winter season runs from 29 November 2024 to 23 February 2025. Still on view from the autumn season through 16 February 2025 is “Disegno Interno: Surrender to Your Obsessions” – a sweeping tribute exhibition celebrating the iconic surrealist filmmaker Jan Švankmajer and Eva Švankmajerová, his wife and co-creator (Czechia).
Admission to the new exhibitions is free on opening night.
Supporters: State Culture Capital Foundation, Daugavpils City Council, Italian Embassy in Latvia, Devona, Caparol.
Information: Rothko Museum
Publicity photo: Gustavs Filipsons, Wind Breaker, oil on plywood, 120 x 160 cm, 2021